I’m telling you, the only things missing from Center Court are some strobe lights, a fog machine, and people puking in the bathroom.

Even though they’re the ones who went into this event looking to learn about politics, I’m certain many of our current leaders could learn a lot from them.

I can’t help but wonder how much more joy the Buster-mobile, the brown jumpsuits, and the green ghosts can bring us before that joy gets replaced by that good ol’ fashioned cash-grab feeling.

The editing and blocking combine to weave a bouncy, retro vibe.

The film recognizes the sacrifices racism can force Black people to make, while never bailing on in its desire to entertain.

She’s not Lara Croft yet (I’ve no idea if she wants to be or not), but nothing Brown does here would cause a producer to strike her name from their list. 

Villeneuve cranks up the tension, dials up some dazzling visuals, and drags us to the edge of our seats.

You don’t have to  dream of soaring through the stars in order to be inspired by this story to chase after your own dreams. 

The Zone for Interest is a masterpiece and the most powerful film I’ve seen in ages. 

If it’s a strong story and it’s well told, audiences won’t fret over less than stellar performances. Unfortunately, this isn’t a strong story that’s well told.  

Lisa Frankenstein’s main issue is that it never figures out what it wants to be. To be fair, how many high school seniors do?

If the movie were a game of tug-of-war. Orion would be the all-star anchorman on a team of 28 pound weaklings. He can’t pull this off all by himself.

This is a beautifully made film with a beautiful message, and more than worthy of its Oscar nomination. Don’t miss it.

I wouldn’t want to trade lives with Bobi Wine, but I’m beyond jealous of how authentic a life he’s decided to live.

It weaves an enchanting-enough spell, but I can’t help but think that many of the choices it makes leave a lot of magic in the bag.

It’s a smart update that still stays true to the classic, original story.

One gets the sense that the movie has two purposes. One: to make a fun, comedic heist movie. Two: to set Kevin Hart up as a bankable lead in an edgier genre than what we’re used to seeing him in.

Sequels and work based on IP isn’t going away any time soon. Hopefully the execs with their dollar-tinted glasses are watching this show to see how to do it right. 

I would like to commend the makeup person responsible for designing the dangling black snot on Kay’s nose. Truly gross and disturbing work, sir or madam. Well done!

Adventures are neither easy nor fear-free. But they’re an essential part of life.